I am more concerned with getting a painting which looks believable and plausible. The reason I keep the reference photo small is that I don’t really care if the composition is perfect. I begin with big rough shapes and then as time goes on I start using a smaller brush size to add more detail. Krita’s brush sensitivity is really good so I don’t need to change the brush size very often.
![krita brush size krita brush size](https://docs.krita.org/en/_images/Painter-sculpt-brush-02.png)
![krita brush size krita brush size](https://www.davidrevoy.com/data/images/blog/2011/12/textured_brush-12-gui_davidrevoy.jpg)
I begin with the background and work towards the foreground, I find this produces cleaner lines and the brush strokes lay over the old strokes.ĭon’t be reserved, use big fast brush strokes if you like too. I then paint these colours on the layer under the photograph, you can work on one layer it doesn’t really matter. With the brush tool selected I periodically sample colours from the photograph by pressing CTRL + clicking.
![krita brush size krita brush size](https://docs.krita.org/nl/_images/Krita-brushtips-fur_03.png)
Use whatever brush you like I personally like the look of hard brushes so that is what I will be using, I make no modifications to the brush.īefore I begin painting I select the most dominant colour in the sky and then using the fill tool I fil the canvas with that colour. CTRL + Click – Sample colours without needing to change from the brush tool.Holding shift (scale in proportion) scale the layer down until it’s only a small image and then place it in a corner out of the way. Paste the copied layer into the canvas, this will likely be way too big so find the transform layer tool. Copy the layer and then change back to the tab which contains our painting canvas. Next, open the photo you wish to paint from, Krita will open this up in a new tab. There is no real thought behind this I know my end painting won’t be amazing so it doesn’t need to be big and high resolution. Open up Krita and create a new file with any dimensions. If you fancy following along you can use the same canvas as me (right click and save as) In Krita Set Upįirstly, I am extremely new to Krita myself so this is a learning experience for me too. Of course, the time isn’t wasted because you are practising but you don’t have to look at a painting you might not like for hours. (which can be added or refined at any time).Īlso if things really go tits up then you have only wasted 15-20 minutes. The speed limit is not there to be challenging, the purpose is to get you practising the fundamentals without obsessing over the fine details. How Fast? – I think 15 minutes is a good time limit but if you are not yet confident enough working with Krita to work that fast, then really you can try whatever you want. You don’t need to worry about colour theory or any complicated composition planning. You sample the colours from the original photograph as you go and working quickly you aim to “roughly” recreate the photo. This method is the inspiration behind my speed painting exercise.īasically, you try your best to recreate a photograph via digital painting. What you end up with is a tonne of rough drawings but you will be surprised how quickly they start getting better and more accurate. Working fast (in my opinion) also seems to override the part of the brain which makes you overthink and worry about getting it right. This exercise was designed specifically for cell animation which requires the artist to draw the individual frames of an animation. The purpose of the exercise was to simply practice the mechanical act of drawing without planning or thinking things through. The harsh time limit means you have to work really fast and capture the essence of the subject and not the fine details. The catch was we only had thirty seconds to draw each student before moving on to the next drawing.Īs you would expect this was very challenging at first because you really struggle to get the drawing right in only 30 seconds. We would take turns drawing each other in various positions and postures. We used to practice a drawing exercise which was fantastic at improving our drawing skills in a short space of time. The idea for this tutorial and this technique came from my days at college studying animation.
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